Title:

Animation is the method in which every frame of a film is created individually

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Summary: Animation is the method in which each and every frame of a film is made individually, regardless of whether generated as a personal computer graphic, or by photographing a drawn image, or by repeatedly creating tiny modifications to a model unit.

Key phrases: film, movie, animation, dvd

Write-up Body: Animation is the method in which every frame of a film is created individually, regardless of whether generated as a pc graphic, or by photographing a drawn image, or by repeatedly generating little modifications to a model unit (see claymation and quit motion), and then photographing the result with a unique animation camera. When the frames are strung together and the resulting film is viewed at a speed of 16 or a lot more frames per second, there is an illusion of continuous movement (due to the persistence of vision). Making such a film is very labour intensive and tedious, although the development of laptop or computer animation has significantly sped up the method.

File formats like GIF, QuickTime, Shockwave and Flash enable animation to be viewed on a laptop or computer or over the World wide web.

Since animation is very time-consuming and usually very pricey to produce, the majority of animation for Television and movies comes from expert animation studios. Nonetheless, the field of independent animation has existed at least Because the 1950s, with animation becoming created by independent studios (and at times by a single person). Many independent animation producers have gone on to enter the expert animation business.

Limited animation is a way of growing production and decreasing expenses of animation by employing "short cuts" in the animation procedure. This technique was pioneered by UPA and popularized by Hanna-Barbera, and adapted by other studios as cartoons moved from movie theaters to Tv.[three]

Though most animation studios are now making use of digital technologies in their productions, there is a distinct style of animation that depends on film. Cameraless animation, produced well-known by moviemakers like Norman McLaren, Len Lye and Stan Brakhage, is painted and drawn directly onto pieces of film, and then run by way of a projector.